Anjin Media

Video intelligence

Use every camera.
Keep one coherent timeline.

Group synchronised recordings, preserve their timing relationship and compose across available camera angles without losing source provenance.

One video or an entire archive.

Multi-angle editing product demonstration

Source group

Source group4 ANGLES · SYNCED
Jeff Dye close-up from a synced multicamera podcast recordingA · JEFFSYNC +00:00.00
Jocko Willink close-up selected by multicamera AI video editingB · JOCKOSYNC +00:00.01
Wide shot of Jocko Willink, Matt McCusker and Jeff Dye recording a podcastC · WIDESYNC +00:00.02
Matt McCusker close-up from the synced podcast source groupD · MATTSYNC +00:00.03

Source: Jocko Willink, Matt McCusker & Jeff Dye, Mostly Wise #3

A
B
D
C
00:00ANGLE DECISIONS00:58.7

What is AI multi-angle video editing?

Editorial composition across synchronised camera sources belonging to one recorded session.

Anjin supports angle labels A through D, validates synchronisation coverage and carries angle references into plan segments and render operations.

Controls and evidence

See what the system used and produced.

Useful automation leaves something a person can inspect. Anjin keeps the edit connected to its brief, source media and output settings.

MULTI-ANGLE EDITINGVERIFIABLE OUTPUT
angle
A stable camera label from A through D.
offset
The timing relationship between an angle and its source group.
coverage
Whether an angle spans the required editorial moment.
drift
Synchronisation variance checked before multi-angle use.

Why it matters

More control, less timeline work.

01

Use the best view

Choose an available angle that supports the speaker and editorial moment.

02

Keep sources aligned

Validate timing before an angle reaches the rendered edit.

03

Trace every switch

Retain angle and source information in the reviewable plan.

Fit and boundaries

Use the capability where it genuinely helps.

Anjin is strongest on speech-led recorded material where the editorial job can be described clearly and every selected moment needs to remain verifiable. It supports human judgement with searchable evidence, a reviewable plan and structured outputs.

A strong fit

Recorded knowledge with a story inside it

Interviews, podcasts, webinars, discussions and archive programmes benefit when the useful material is distributed across a long recording or several selected sessions.

Keep elsewhere

Final craft and image-led montage

Detailed colour, sound design, motion graphics and wordless visual storytelling remain finishing tasks for a professional editor and their preferred creative tools.

Evaluation checklist

What should you verify before adopting multi-angle editing?

CHECK 01

angle

Confirm that the workflow exposes this clearly: a stable camera label from A through D.

CHECK 02

offset

Confirm that the workflow exposes this clearly: the timing relationship between an angle and its source group.

CHECK 03

coverage

Confirm that the workflow exposes this clearly: whether an angle spans the required editorial moment.

CHECK 04

drift

Confirm that the workflow exposes this clearly: synchronisation variance checked before multi-angle use.

Questions about multi-angle editing

How many camera angles can Anjin use?
A source group can contain up to four named angles, labelled A through D. The camera count is set by plan: one on Creator and Pro, two on Studio, four on Enterprise.
Do the recordings need to be synchronised?
Yes. Multi-angle composition relies on an established timing relationship and checks coverage and drift before use.
Can I see which angle a segment uses?
Yes. Plan and render data retain the selected angle alongside source timing information.
Does multi-angle editing replace a live vision mixer?
No. It composes recorded and synchronised sources after capture rather than switching a live broadcast feed.

Use multi-angle editing in your next edit.

Start with footage you already have and a clear description of the result you need.

One video or an entire archive.